The brutal stop-time acieed of “Jugg” by Skee Mask, sets the tone for this EP. Bass as percussion, Percussion as bass.
Each track might paint the same open field, just at different times of the day. And each painting is beautiful and deserves study.
Echos of rave bass and sirens are presented for meditation over a beat that’s danceable but not quite.
Danceable, terrifying, wandering and beautiful all in the same five minutes and 41 seconds
A little bit Aphex, a little bit 2-step… If FSOL made grime?