Reviews & Articles

Both light and dark, it feels like you’re traveling through a tunnel, headlights and fluorescents streaming by. It’s up to you if you’re looking forward or back.

Little effects and ambiance, forward and backward, create and release tension like a yo-yo.

It’s dark and brooding but somehow warm and calming at the same time, like thunder rolling in. This whole EP is certainly not for the faint of heart but is expertly crafted, and well worth the listen.

Then water drops, intimate hand drums, and the blips and squawks evolve. It’s a terrifying, compelling listen.

“Burn the Floor” is a wide-open plain, drawn in Tron-like dayglo lines. The space is filled with beat and simple melodic tone that fits together, exquisitely.

I’d love to hear this coming through the trees at night. Maybe without the robots.

With headphones on, one could picture bees and dragonflies playing over a bed of flowers.

One of the more satisfying riddims I’ve heard in a while. This is the epitome of a producer seeing an idea through.

A hard-4 tribute to what happens when you anger the gods.

Lots of influences and references come together beautifully in one coherent tune, and man, it’s got groove.

They walk you right off a cliff into the thin air of bass and shuffle.

The most bittersweet to this track is it should push Murder He Wrote above ground to regular Friday night rotation on Radio 1, and the underground will be sad to see him go.